New podcasts series: ‘Echoes from the Museum’ – a collaboration between the University of Cambridge’s Museum of Zoology and LCC’s Sonic Screen Lab
A new three-part podcast series explores the connections between Tasmanian tigers, aboriginal cultures, and the legacies of racism. The series is part of a unique art/science collaboration between the Sonic Screen Lab, UAL (Lainy Malkani, Professor Shreepali Patel & Julia Schauerman), Hank Horton, and the University Museum of Zoology, Cambridge (Jack Ashby). Listeners should be aware that we will be discussing events that involved racial violence in Tasmania.
1. Tasmanian tigers: Uncomfortable truths, understanding, and acknowledging violence
Today, natural history museums are starting to research the deeper histories of how their collections were built, and this is revealing some surprising and troubling stories. Thylacines, or Tasmanian tigers, are icons of extinction, and some of the world’s best-preserved specimens are in University Museum of Zoology, Cambridge. This series explores new research there, uncovering an uncomfortable truth about how the history of the extinction of the thylacine had strong parallels with the violent events that took place in Tasmania in the nineteenth century. Join zoologist and author Jack Ashby (University of Cambridge), journalist and academic Lainy Malkani (University of the Arts London), and Elder uncle Hank Horton, a Pakana man from Trooloolway mob, lutruwita, Tasmania, for a conversation about thylacines, museum collecting, and why it’s important to tell these difficult stories.
2. Stories behind the scenes
In this second episode, Lainy Malkani and Jack Ashby head to the storerooms of the University Museum of Zoology in Cambridge to take a closer look at one of the world’s finest collections of thylacine skins. They explore how what was done to thylacines and what was done to Tasmanian Aboriginal people was part of the same historical process. As populations of both were diminished, demand for their remains in western museums rocketed. The man who sent the skins to Cambridge was Morton Allport. Recent research has revealed an uncomfortable truth about how Allport built his reputation as a leading “man of science”, by both stoking that demand, and working to fulfil it.
3. New perspectives: Whose stories are museums telling?
In this final episode, the spotlight falls on the Museum itself as Jack Ashby and Lainy Malkani ask what is to be gained from uncovering the hidden human stories behind natural history collections. A far greater diversity of people were involved in building these scientifically invaluable collections than has traditionally been told. By telling these histories more completely, museums can only increase their relevance. Can these new ways of seeing collections in museums can help to bring about a shift in colonial thinking in the museum sector, one that ensures that the human story behind the collections continues to be told?
